The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge University Press, 2016; paperback reissue, 2019.
"Teaching Early Modern Women's Writing through Literary and Material Form." Feminist Formalism and Early Modern Women's Writing: Readings, Conversations, Pedagogies, edited by Lara Dodds and Michelle Dowd. University of Nebraska Press, 2022. 202-18.
“Public/Private.” Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance, edited by Claire M. L. Bourne. Bloomsbury (Arden Shakespeare), 2021, pp. 66-83.
“Digital Humanities and Early Modern Women’s Writing.” Studies in Medieval and Renaissance Teaching (SMART) vol. 28, no. 2, 2021, pp. 107-16.
“Performing Patronage, Crafting Alliances: Ladies’ Lotteries in English Pageantry.” The Politics of Female Alliance in Early Modern Literature and Culture, edited by Christina Luckyj and Niamh J. O’Leary. U of Nebraska P, 2017, pp. 107-25. Winner of the Society for the Study of Early Modern Women prize for best collaborative project.
“Elite Pageantry as Popular News: Elvetham House, John Wolfe and Country-House Entertainment in Print.” The Intellectual Culture of the British Country House, 1500-1700, edited by Matthew Dimmock, Andrew Hadfield, and Margaret Healy. Manchester UP, 2015, pp. 146-59.
“‘Drabs of State vext’: Violent Female Masquers in Thomas Middleton’s Women Beware Women.” Gender Matters: Discourses of Violence in Early Modern Literature and the Arts, edited by Mara Wade. Rodopi, 2014, pp. 294-306.