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Publications

BOOK

The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge University Press, 2016; paperback reissue, 2019.

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"Teaching Early Modern Women's Writing through Literary and Material Form." Feminist Formalism and Early Modern Women's Writing: Readings, Conversations, Pedagogies, edited by Lara Dodds and Michelle Dowd. University of Nebraska Press, 2022. 202-18.

“Public/Private.” Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance, edited by Claire M. L. Bourne. Bloomsbury (Arden Shakespeare), 2021, pp. 66-83.

 

“Digital Humanities and Early Modern Women’s Writing.” Studies in Medieval and Renaissance Teaching (SMART) vol. 28, no. 2, 2021, pp. 107-16.

"In Defense of Indulgence: Hester Pulter's Maternal Elegies." Journal for Early Modern Cultural Studies, vol. 20, no. 2, 2020, pp. 43-70.

 

"Reader, Maker, Mentor: The Countess of Huntingdon and Her Networks." Women's Labour and the History of the Book in Early Modern England, edited by Valerie Wayne. Bloomsbury, 2020, pp. 225-42.

"Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's 'King and Country.'" Shakespeare Bulletin vol. 36, no. 4, 2018, pp. 635-56.

"Women Dancing the Morris in Fletcher and Shakespeare's The Two Noble Kinsmen, 1613-2015." Shakespeare vol. 13, no. 2, 2017, pp. 164-79. (Download a copy here.)

“Performing Patronage, Crafting Alliances: Ladies’ Lotteries in English Pageantry.” The Politics of Female Alliance in Early Modern Literature and Culture, edited by Christina Luckyj and Niamh J. O’Leary. U of Nebraska P, 2017, pp. 107-25. Winner of the Society for the Study of Early Modern Women prize for best collaborative project.

 

“Elite Pageantry as Popular News: Elvetham House, John Wolfe and Country-House Entertainment in Print.” The Intellectual Culture of the British Country House, 1500-1700, edited by Matthew Dimmock, Andrew Hadfield, and Margaret Healy. Manchester UP, 2015, pp. 146-59.

 

“‘Drabs of State vext’: Violent Female Masquers in Thomas Middleton’s Women Beware Women.” Gender Matters: Discourses of Violence in Early Modern Literature and the Arts, edited by Mara Wade. Rodopi, 2014, pp. 294-306.

“Pageantry, Queens, and Housewives in the Two Texts of The Merry Wives of Windsor.” Shakespeare Quarterly vol. 63, no. 3, 2012, pp. 328-54.

 

“Lady Russell, Elizabeth I, and Female Political Alliances through Performance.” English Literary Renaissance vol. 39, no. 2, 2009, pp. 290-314.

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